(ed.), Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics, London: Routledge, Taylor & Francis Group, 2008. Heryanto, Ariel (ed.), “Pop Culture and Competing Identities”, in Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics, London: Routledge, Taylor & Francis Group, 2008. Hefner, Robert W., Civil Islam: Muslims and Democratization in Indonesia, Princeton: Princeton University Press, 2000. Hasan, Noorhaidi, “The Making of Public Islam: Piety, Agency, and Commodification on the Landscape of the Indonesian Public Sphere”, Contemporary Islam, vol. Hariyadi, “Islamic Popular Culture and the New Identity of Indonesian Muslim Youth”, presented at the 18th Biennial Conference of the Asian Studies Association of Australia, Adelaide, 6/07 2010,, accessed. Hadiyanti, Nanda, “Didukung MUI, Ini Tanggapan Fatin Shidqia”,, ,, accessed. “Fatin Ikut Dongkrak Penjualan Kerudung Rabbani hingga Rp 500 Miliar”,, ,, accessed. ĭarmansyah, “Empat Kali Sudah, Fatin Lupa Lirik Saat Perform”,, ,, accessed. Ĭoutas, Penelope, “Fame, Fortune, Fantasi: Indonesian Idol and the New Celebrity”, Asian Journal of Communication, vol. īurhani, Ahmad Najib, “The Reformasi ’98 and the Arab Spring: A Comparative Study of Popular Uprisings in Indonesia and Tunisia”, Asian Politics & Policy, vol. by Michele Ford and Tom Pepinsky, Ithaca: Cornell Southeast Asia Program Publications, 2014, pp. īuehler, Michael, “Elite Competition and Changing State-Society Relations: Shari’a Policymaking in Indonesia”, in Beyond Oligarchy: Wealth, Power, and Contemporary Indonesian Politics, ed. īarendreg, Bart, “The Art of No-Seduction: Muslim Boy-Band Music in Southeast Asia and The Fear of The Female Voice”, IIAS Newslette, 2006,, accessed. Inside Indonesia 93”, INS Insideindonesia, 2008,, accessed. Whatever they consume in terms of popular culture is intrinsic to the creation of their hybrid identities, as both Indonesian muslims and global citizens.Īmrih, Widodo, “Writing for God: Piety and Consumption in Popular Islam. In addition, the presence of Fatin is a symbol of young Indonesian muslims who already connect globally. This paper argues that the presence of Islamic popular culture in Indonesia through books, novels, films, as well as fashion, show that Indonesian Islam and muslims are compatible not only with democracy but also with global popular culture. This paper intends to study the presence of Fatin Sidqiah as the winner of Indonesian X Factor and the response of Indonesian muslims regarding Islamic popular culture in Indonesia. In contrast, in the context of Indonesian Muslims, the Indonesian Ulama Council’s (Majelis Ulama Indonesia, MUI) showed support for Fatin Shidqia Lubis to the singing contest of Indonesian X Factor, 2013. These media are therefore often seen as a threat to the identities of nationalities, local cultures, and religious groups. Television, music videos, films, and pop bands are all part of global popular culture and thought to be the product of “the west”.
0 kommentar(er)
